Be Happy Movie (2025) | Releasing on March 14 – A Feel-Good

Starring: Johny Lever, Harleen Sethi, Nora Fatehi, Inayat Verma, Abhishek A. Bachchan, and Nassar
Director: D’Souza Remo
Producers: D’Souza, Lizelle Remo
Directors of Music: Harsh Upadhyay
Director of photography: Vijay Kumar Arora
Sherwin Bernard, editor

The narrative:

Abhishek Bachchan plays Shiv Rastogi, a bank worker and a single father raising his daughter Dhara (Inayat Verma), who has a strong love for dancing. He is hesitant to encourage her dream, though, because he is a protective parent. He changes his mind after seeing the tremendous amount of praise she gets following a dance performance. The father-daughter pair moves to Mumbai because Dhara wants to study under a famous dance instructor, Maggie (Nora Fatehi). She tries out for India’s Superstar Dancer, wins over the judges, and moves on to the next round. She is forced to leave the performance due to an unforeseen setback just as everything appears to be going smoothly. What went wrong? Will the resolute Dhara take the stage again? Does Shiv encourage her to take back her time?

With her superb portrayal of Dhara, Inayat Verma steals the show. She is the main character of the movie because of her captivating facial expressions and dancing skills. She does a good job expressing her feelings to Abhishek Bachchan.

Abhishek Bachchan plays a quiet yet incredibly loving father in a strong performance. At pivotal points, especially the climax and a dance scene with Inayat, his depth of passion is evident.

Inayat Verma steals the show with her amazing performance as Dhara. Her intriguing facial expressions and dancing abilities make her the film’s protagonist. She effectively communicates her emotions to Abhishek Bachchan.

In a powerful portrayal, Abhishek Bachchan portrays a modest but deeply affectionate father. His intensity of passion is clear at key moments, particularly the finale and a dance scene with Inayat.

The slow pacing of Be Happy is its main flaw. The plot contains several unexpected moments despite being predictable, although patience is occasionally tried by the plodding narration.

Although Abhishek and Inayat’s emotional depth is clear, it could have been further explored to make a bigger impression. Johnny Lever’s part is superfluous and does not really further the plot of the movie.

For Be Happy to be a genuinely captivating film, Remo D’Souza and his writing team could have written a more captivating screenplay.

With dancing at its center, Remo D’Souza tells a touching tale of a father and daughter. The effect of the movie is lessened, nevertheless, by the uninteresting writing. Both the music by Harsh Upadhyay and the cinematography by Vijay Kumar Arora are passable. By cutting out parts that were not necessary for a better flow, editor Sherwin Bernard may have made the movie tighter. The Telugu dubbing is sufficient, and the production qualities are respectable.

Conclusion:
Overall, Be Happy is a slow but enjoyable dance drama that is propelled by Abhishek Bachchan and Inayat Verma’s moving performances. There are some well-executed dance moves, particularly in the climax and pivotal scenes. But the film’s slow pacing and formulaic plot make it less appealing. You may relate to the movie if you enjoy dancing or have a close relationship with your girl child. Others can attempt it, but they should be realistic about their expectations.